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INDONESIA
Jurnal Rupa
Published by Universitas Telkom
ISSN : 25031627     EISSN : 25031066     DOI : -
Core Subject : Art,
Arts
JURNAL RUPA is a peer-reviewed academic journal to provide a platform for an interdisciplinary forum in the area of visual arts. This journal welcomes submissions from artists, makers, designers, researchers, historians, and other writers in the field of visual arts. This journal is published two times a year by Telkom University.
Arjuna Subject : -
Articles 6 Documents
 1 
Search results for , issue "Vol 2 No 1 (2017): Open Issue" : 6 Documents clear
Analisis Tingkatan Tanda dalam Karya Frida Kahlo "Self Potrait with Necklace of Thorn and The Humming Bird" Ahda Yunia Sekar
JURNAL RUPA Vol 2 No 1 (2017): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v2i1.751

Abstract

This paper is concering in visual text research on Frida Kahlo painting, tittled Self Potrait with Thorn Necklace and The Hummingbird. This research is focused in visual symbols which is building the subject matter in the work of Frida as denotation and connotation meaning. The research use qualitative descriptive methods to analyze the element of semiology based on Roland Barthes theory. In this research indicate that Frida painting, Self Potrait with Thorn Necklace and The Hummingbird, is a track record of Frida's life story in sharp and contrast visual language. Representing a sense of fear, sad and pain that she experienced in herself. Her marriage life with Diego Rivera which is ended up in divorce and the pain of being have the physical health problems in her life. The accident that she experienced as a teenager, make she could not have fertility womb like other women. In that circumstance, she thought that the power and freedom to be a woman constrained by the physical condition of the body. But that problems did not make Frida became very discouraged, it is reflected in her expression of optimism and a serious look on the possibilities that will occur in front of the eye.
Penerapan Unsur Visual Bentuk Tanduk Domba Garut Dalam Desain Busana Siap Pakai Pratiwi Kusumowardhani; Larastika Rachmawati Hakim
JURNAL RUPA Vol 2 No 1 (2017): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v2i1.756

Abstract

Fashion design is now being raised on culture, flora, fauna, and local knowledge of the archipelago with a style that is more trendy and dynamic. The uniqueness of Indonesia who brought fashion popular in foreign countries. One of the unique fauna that Indonesia and must be preserved is the Garut sheep. Garut sheep or Ovis aries is an Indonesian fauna originating from Leles, Wanaraja, and Limbangan Garut district. Characteristic of Garut sheep horn has a circular shape (large and thick) are strong, tall body, strong, and large compared to other types of sheep. Garut sheep ram with horns larger, circular, and stronger than the females horn. Sheep fighter also has a unique necklace. Sheep are usually used to fight fights Garut sheep, used the meat for consumption as well as the skin used for the various needs of fashion. The methodology of this research is an exploration, and analysis based on literature sources based on the elements and principles of design by Mayall Theory. In this research, the writer limits design analysis domba Garut in Indonesia on horn sheep arrowroot, which raises moodboard, as a reference for the manufacture of alternative fashion design selected.
Analisis Gaya Busana Kerja Muslimah, Studi Kasus: Pekerjaan Sektor Formal di Kota Jakarta Pingki Adrianti
JURNAL RUPA Vol 2 No 1 (2017): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v2i1.755

Abstract

The dynamics of modern urban life required society to communicate and deliver the ideas properly. Through Fashion Communication, one could deliver many ideas to others, nice outfit with proper appearance tend to make someone more trustworthy, respected, and accepted by society. Today many female Moslem (Muslimah) workers in Capital City of Jakarta, Indonesia, presenting their Moslem identity at their work place by wearing hijab (scarfs) in fashionable way as the trend of “Hijaber Community” (initiated by Dian Pelangi and friends) become booming in the last five years. The trend comes together with an increase of female employees (Moslem and non-Moslem) in a number of formal sector areas in Indonesia (ILO-Asian Decent Work Decade: Indonesia, 2006-2015). This paper aims to identify Modern Style of Muslimah Work Clothing which popular today in Jakarta, the analysis based on user preferences. Method of this research is quantitative-descriptive by distributing questionnaires to some respondents (users) of Muslimah workers in formal sector employments. Results of this analysis indicate three aspects: Fashion Style, Visual Aesthetic, and Consumer Behaviour. The fashion style of modern Muslimah work clothing is Semi formal type with Feminine-Casual characteristic. The visual aesthetic aspects are (1) Colors: Dark and soft colors; (2) Texture: Geometric pattern and Sulur. Consumer behavior of respodents is normal with economical consideration in group of Early Majority and Early Adopter.
Kajian Kritik Seni Instalasi Tisna Sanjaya - "32 Tahun Berpikir dengan Dengkul" Dea Aulia Widyaevan
JURNAL RUPA Vol 2 No 1 (2017): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v2i1.752

Abstract

Art critics has become a way to reveal and appreciate content lies behind its appearences. Thus signified an important role on reading an art work by analyze the reasoning behind the artworks, through the artist statement, intention and the translation on relating medium. The process of reasoning require several steps which enhance the art critic's methods. On this case , a method of Feldman' art critics has been applied to anaylize an installation work of Tisna Sanjaya - "32 Tahun Berpikir dengan Dengkul". Feldman theory divide art critics method into four steps: description, formal analysis, interpretation and evaluation. This analysis require contextual reading due the impact of this art works into social, politic relation outside the artworld itself. Tisna's work has become one pioneer on installation artwork in Bandung, which also has a significance role of enggaging public reaction which create a paradoxes. Further more, provoke the government security (Satpol PP) to burn this artwork in Babakan Siliwangi as well as his other works "Doa untuk yang Mati”.
Perancangan Instalasi Interaktif Komposisi Musik dan Visual (Studi Kasus: Tari Saman) Grace Caroline Sahertian; Hendy Hertiasa; Ary Setijadi Prihatmanto
JURNAL RUPA Vol 2 No 1 (2017): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v2i1.757

Abstract

On such era of globalization, we can’t only focus on utilization of technological advances, we also have to look on the implementation and development of technological advances itself. Creativity of each individual is a basis in the birth of new innovations if supported by the proper technology. We expected the merger of technology and creativity, along with the local culture will be able to maintain the values and integrity of Indonesian national identity. As a case study, “Interactive Installation Design of Music and Visual Composition From Saman Dance” is one attempt to realize the above ideas. The result of the design of this interactive installation is a game tool for composing music and visual. Different from the pre-existing games, on this game the user is the one who controls the system, not the opposite.
Potensi Penerapan Konsep Zero Waste Pada Busana Tradisioanal Studi Kasus: Kimono Faradillah Nursari; Dian Fitrah Hervianti
JURNAL RUPA Vol 2 No 1 (2017): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v2i1.754

Abstract

Zero waste is a concept commonly used in the manufacturing industry in order to reduce the pre-consumer waste that occur during production phase. This concept was later adopted in the fashion industry to minimize left-overs or scraps when cutting patterns pieces on fabric. Unknown to most, this concept was actually used by our ancestors to create traditional clothes in the simplest form. Geometric shape is one of the simplest form of clothing adopted in many cultures for their traditional clothes. This shape can be seen in most Asian cultures, one of them is Japan. Kimono, Japanese traditional clothes, is one example of adapting the geometric shape for clothing purposes. Constructed from a basic rectangle shape made of fabric that is woven traditionally, it has many potential to evolve in terms of construction and production method, furthermore, having the possibility of being more sustainable by applying the zero waste concept.

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